Published in 2025
88 pages
Linda Nochlin (1931–2017), described by The New York Times as the “inventor of feminist art history,” was Lila Acheson Wallace professor emerita of modern art at the New York University Institute of the Fine Arts. She wrote extensively on issues of gender in art history and on 19th-century Realism. Her numerous publications include Women, Art and Power; Representing Women; Courbet; and Mise`re.
What is this book about?
Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late eighteenth century, fragmented, mutilated, and fetishized representations of the human body came to constitute a distinctively modern view of the world.
In this classic essay, renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated, and fetishized representations of the human body came to constitute a distinctively modern view of the world. The work of an original thinker at the height of her powers, it remains a thought-provoking and compelling read.
37 color illustrations