Published in 2022
352 pages
Melissa Chadburn’s writing has appeared in The LA Times, NYT Book Review, NYRB, Longreads, Paris Review online, and dozens other places. Her essay on food insecurity was published in Best American Food Writing 2019. She’s done extensive reporting on the child welfare system and appears in the Netflix docuseries The Trials of Gabriel Fernandez. She is a Ph.D. candidate at USC’s Creative Writing Program. Melissa is a worker lover and through her own work and literary citizenship strives to upend economic violence. Her mother taught her how to sharpen a pencil with a knife and she’s basically been doing that ever since.
What is this book about?
My grandmother, sitting at her doily-covered table, marmalade on her cheek, explained that the aswang is all the evil bad things that a town or a society would want to deny–eventually it has to come out, has to be personified into something or the truth will reveal itself.
Marina Salles’s life does not end the day she wakes up dead.
Instead, in the course of a moment, she is transformed into the stuff of myth, the stuff of her grandmother’s old Filipino stories–an aswang. She spent her life on the margins, knowing very little about her own life, let alone the lives of others; she was shot like a pinball through a childhood of loss, a veteran of Child Protective Services and a survivor, but always reacting, watching from a distance. Death brings her into the hearts and minds of those she has known–even her killer–as she is able to access their memories and to see anew the meaning of her own. In the course of these pages she traces back through her life, finally able to see what led these lost souls to this crushingly inevitable conclusion.
