Published in 2015
400 pages
Judith Claire Mitchell is the author of the novels The Last Day of the War and A Reunion of Ghosts. A graduate of the Iowa Writers Workshop, she teaches undergrad and graduate fiction workshops at the University of Wisconsin, where she is a professor of English and the director of the MFA program in creative writing. She has received grants and fellowships from the Michener-Copernicus Society of America, the Wisconsin Institute for Creative Writing, the Wisconsin Arts Board, and Bread Loaf, among others.
What is this book about?
A Reunion of Ghosts is the shared confessional of three sisters who have decided to kill themselves at the end of the 20th century, honoring the dark legacy that has haunted their extraordinary family for decades
How do three sisters write a single suicide note?
In the waning days of 1999, the Alter sisters—Lady, Vee, and Delph—finalize their plans to end their lives. Their reasons are not theirs alone; they are the last in a long line of Alters who have killed themselves, beginning with their great-grandmother, the wife of a Jewish Nobel Prize-winning chemist who developed the first poison gas used in World War I and the lethal agent used in Third Reich gas chambers. The chemist himself, their son Richard, and Richard’s children all followed suit.
The childless sisters also define themselves by their own bad luck. Lady, the oldest, never really resumed living after her divorce. Vee is facing cancer’s return. And Delph, the youngest, is resigned to a spinster’s life of stifled dreams. But despite their pain they love each other fiercely, and share a darkly brilliant sense of humor.
As they gather in the ancestral Upper West Side apartment to close the circle of the Alter curse, an epic story about four generations of one family—inspired in part by the troubled life of German-Jewish Fritz Haber, Nobel Prize winner and inventor of chlorine gas—unfolds. A Reunion of Ghosts is a tale of fate and blood, sin and absolution; partly a memoir of sisters unified by a singular burden, partly an unflinching eulogy of those who have gone before, and above all a profound commentary on the events of the 20th century.
