Published in 2007 (first published 1985)
176 pages
Novelist Jeanette Winterson was born in Manchester, England in 1959. She was adopted and brought up in Accrington, Lancashire, in the north of England. Her strict Pentecostal Evangelist upbringing provides the background to her acclaimed first novel, Oranges Are Not the Only Fruit, published in 1985. She graduated from St Catherine’s College, Oxford, and moved to London where she worked as an assistant editor at Pandora Press.
One of the most original voices in British fiction to emerge during the 1980s, Winterson was named as one of the 20 “Best of Young British Writers” in a promotion run jointly between the literary magazine Granta and the Book Marketing Council.
She adapted Oranges Are Not the Only Fruit for BBC television in 1990 and also wrote “Great Moments in Aviation,” a television screenplay directed by Beeban Kidron for BBC2 in 1994. She is editor of a series of new editions of novels by Virginia Woolf published in the UK by Vintage. She is a regular contributor of reviews and articles to many newspapers and journals and has a regular column published in The Guardian. Her radio drama includes the play Text Message, broadcast by BBC Radio in November 2001.
Winterson lives in Gloucestershire and London. Her work is published in 28 countries.
What is this book about?
A beloved contemporary feminist classic and pioneering work of autofiction—a funny, poignant exploration of a young girl’s quirky passage into adulthood
Jeanette Winterson’s extraordinary career began at the age of twenty-five with the publication of Oranges Are Not the Only Fruit. An international bestseller and winner of the prestigious Whitbread Award for Best First Fiction, it is considered a classic of contemporary literature and taught widely around the world, in courses ranging from core undergraduate classes to women’s studies and queer studies.
Jeanette is a bright and rebellious orphan who is adopted into an evangelical household in the dour, industrial north of England. Her youth is spent embroidering grim religious mottoes and shaking her little tambourine for Jesus. But as this budding missionary comes of age and comes to terms with her unorthodox sexuality, the peculiar balance of her God-fearing household collapses. Jeanette’s insistence on listening to truths of her own heart and mind—and on reporting them with wit and passion—makes for an unforgettable chronicle of an extraordinary passage into adulthood.
