Tori Amos’s Boys for Pele

Published in 2018
176 pages

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Amy Gentry is the author of the novels Good as GoneLast Woman Standing, and Bad Habits, as well as the 33 1/3 book about Tori Amos’s Boys for Pele. Also a critic, she has reviewed for the Chicago Tribune, Los Angeles Review of Books, Paris Review, LitHub, and Electric Literature, as well as writing introductions for two books in the NYRB Classics line. She holds a PhD in English from the University of Chicago and lives in Austin, Texas.

What is this book about?
It’s hard to think of a solo female recording artist who has been as revered or as reviled over the course of her career as Tori Amos. Amy Gentry argues that these violent aesthetic responses to Amos’s performance, both positive and negative, are organized around disgust-the disgust that women are taught to feel, not only for their own bodies, but for their taste in music. Released in 1996, Amos’s third album, Boys for Pele, represents the height of Amos’s willingness to explore the ugly qualities that make all of her music, even her more conventionally beautiful albums, so uncomfortably, and so wonderfully, strange. Using a blend of memoir, criticism, and aesthetic theory, Gentry argues that the aesthetics of disgust are useful for thinking in a broader way about women’s experience of all art forms.