Published in 2023
240 pages
Elise Esther Hearst is a Melbourne-based author and playwright. Elise trained in London at the Royal Court Theatre and her plays include Bright World, co-written with Andrea James (Theatreworks), The Mesh (Red Stitch), and The Sea Project (Griffin Theatre) which was shortlisted for the Griffin Award.
In 2019–20, Elise was a resident writer at Melbourne Theatre Company and is currently working on a commission for Melbourne Theatre Company. In 2020 Elise’s non-fiction story, ‘Naming Rights’ was published in the 2020 edition of Antithesis Journal and she was a guest at the 2021 Jewish Book Week.
Elise’s debut novel, One Day We Are All Going To Die, is a fast-paced, sexy, and darkly humorous story about a 27-year-old single Jewish woman in Melbourne who must learn to reconcile family and cultural expectations with her own desires.
What is this book about?
Sorrow and Bliss meets Normal People in this utterly compelling, darkly humorous millennial coming-of-age novel about a 27-year-old single Jewish woman in Melbourne who must learn to reconcile family expectations, cultural constraints and inter-generational trauma with her own desires. A coruscating new voice.
At 27, Naomi is just trying to be a normal person. A normal person who works at a Jewish Museum, who cares for lost things, found things, sacred things, and her family. A person who finds herself going on bad blind dates, having cringe-worthy sex, a tumultuous, toxic affair, and falling for a man called Moses.
Being a normal person would be easy and fine if she didn’t bear the weight of the unspoken grief of Cookie, her Holocaust-survivor grandmother. It would all be fine if she just knew how to be, without feeling the pull of expectation, the fear of disappointing others (men, friends, her parents, humanity), and that pesky problem of being attracted to all the wrong people (according to her parents, anyway).
By endlessly trying to please everyone around her, Naomi can’t seem to figure out what she wants for herself, or how to get it. With echoes of the dead and dying all about her, in objects, in story, in her grandmother’s firm grasp, Naomi isn’t quite sure she knows how to be a normal person, but she is going to try.
This fiercely honest, funny and fearless novel is a deep dive into the complex questions that surround culture, identity politics and generational trauma in contemporary Australia. Both a sadly affectionate and brilliantly unsparing examination of the glorious, awkward, messiness of life.
