Published in 2023
128 pages
Denise Mina was born in Glasgow in 1966. Because of her father’s job as an Engineer, the family followed the north sea oil boom of the seventies around Europe. She left school at sixteen and did a number of poorly paid jobs, including working in a meat factory, as a bar maid, kitchen porter and cook. Eventually she settled in auxiliary nursing for geriatric and terminal care patients. At twenty one she passed exams, got into study Law at Glasgow University and went on to research a PhD thesis at Strathclyde University on the ascription of mental illness to female offenders, teaching criminology and criminal law in the mean time. Misusing her grant she stayed at home and wrote a novel, Garnethill when she was supposed to be studying instead.
What is this book about?
From the award-winning master of crime fiction, Denise Mina re-imagines the “Bonfire of the Vanities,” a series of fires lit throughout Florence at the end of the fifteenth century—inspired by the fanatical Girolamo Savonarola.
Girolamo Savonarola was a Dominican friar living in Florence at the end of the fifteenth century. An anti-corruption campaigner, his hellfire preaching increasingly spilled over into tirades against all luxuries that tempted his followers toward sin. These sermons led to the infamous “Bonfire of the Vanities”—a series of fires lit throughout Florence for the incineration of everything from books, extravagant clothing, playing cards, musical instruments, make-up, and mirrors to paintings, tapestries, and sculptures.
Railing against the vice and avarice of the ruling Medici family, he was instrumental in their removal from power—and for a short time became the puritanical leader of the city. After turning his attention to corruption within the Catholic Church, he was first excommunicated and then executed by a combination of hanging and being burned at the stake.
Just as in Rizzio—her latest novel with Pegasus Crime—Denise Mina brings a modern take to this fascinating historical story, drawing parallels between the febrile atmosphere of medieval Florence and the culture wars of the present day. In dramatizing the life and last days of Savonarola, she explores the downfall of the original architect of cancel culture and, in the process, explores the never-ending tensions between wealth, inequality, and freedom of speech that so dominate our modern world.
