Published in 2023
320 pages
Megan Abbott is the Edgar®-winning author of the novels Die a Little, Queenpin, The Song Is You, Bury Me Deep, The End of Everything, Dare Me, The Fever, You Will Know Me and Give Me Your Hand.
Abbott is co-showrunner, writer and executive producer of Dare Me, the TV show adapated from her novel. She was also a staff writer on HBO’s The Deuce. Her writing has also appeared in the New York Times, the Guardian, Wall Street Journal, the Los Angeles Times Magazine, The Believer and the Los Angeles Review of Books.
Born in the Detroit area, she graduated from the University of Michigan and received her Ph.D. in English and American literature from New York University. She has taught at NYU, SUNY and the New School University and has served as the John Grisham Writer in Residence at The University of Mississippi.
She is also the author of a nonfiction book, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir, and the editor of A Hell of a Woman, an anthology of female crime fiction.
What is this book about?
From New York Times bestselling and award-winning author Megan Abbott, an eerie and prescient novel about a family outing that takes a terrifying turn.
Honey, I just want you to have everything you ever wanted. That’s what Jacy’s mom always told her.
And Jacy felt like she finally did. Newly married and with a baby on the way, Jacy and her new husband Jed embark on their first road trip together to visit his father, Doctor Ash, in Michigan’s far-flung Upper Peninsula. The moment they arrive in the cozy cottage in the lush woods, Jacy feels bathed in love by the warm and hospitable Doctor Ash, if less so by his house manager, the enigmatic Mrs. Brandt.
But their Edenic first days take a turn when Jacy has a health scare. Swiftly, vacation activities are scrapped, and all eyes are on Jacy’s condition. At the same time, whispers about Jed’s long-dead mother and complicated family history seem eerily to be impeding upon the present. As the days pass, Jacy begins to feel trapped in the cottage, her every move surveilled, her body under the looking glass. But are her fears founded or is it paranoia, or cabin fever, or—as is suggested to her—a stubborn refusal to take necessary precautions? The dense woods surrounding the cottage are full of dangers, but are the greater ones inside?
