Published in 2015
336 pages
Kelly Link is an American author best known for her short stories, which span a wide variety of genres – most notably magic realism, fantasy and horror. She is a graduate of Columbia University.
Her stories have been collected in four books – Stranger Things Happen, Magic for Beginners, Pretty Monsters, and most recently, Get in Trouble. She has won several awards for her short stories, including the World Fantasy Award in 1999 for “The Specialist’s Hat”, and the Nebula Award both in 2001 and 2005 for “Louise’s Ghost” and “Magic for Beginners”. Link also works as an editor, and is the founder of independant publishing company, Small Beer Press, along with her husband, Gavin Grant.
What is this book about?
She has been hailed by Michael Chabon as “the most darkly playful voice in American fiction” and by Neil Gaiman as “a national treasure.” Now Kelly Link’s eagerly awaited new collection–her first for adult readers in a decade–proves indelibly that this bewitchingly original writer is among the finest we have.
Link has won an ardent following for her ability to take readers deep into an unforgettable, brilliantly constructed fictional universe with each new story. In “The Summer People,” a young girl in rural North Carolina serves as uneasy caretaker to the mysterious, never-quite-glimpsed visitors who inhabit the cottage behind her house. In “I Can See Right Through You,” a middle-aged movie star makes a disturbing trip to the Florida swamp where his former on- and off-screen love interest is shooting a ghost-hunting reality show. In “The New Boyfriend,” a suburban slumber party takes an unusual turn, and a teenage friendship is tested, when the spoiled birthday girl opens her big present: a life-size animated doll.
Hurricanes, astronauts, evil twins, bootleggers, Ouija boards, iguanas, The Wizard of Oz, superheroes, the Pyramids…These are just some of the talismans of an imagination as capacious and as full of wonder as that of any writer today. But as fantastical as these stories can be, they are always grounded in sly humor and an innate generosity of feeling for the frailty–and the hidden strengths–of human beings. In Get in Trouble, this one-of-a-kind talent expands the boundaries of what short fiction can do.
