Published in 2014
410 pages
Jill Lepore is the David Woods Kemper ’41 Professor of American History, Harvard College Professor, and chair of Harvard’s History and Literature Program. She is also a staff writer at The New Yorker.
Winner of the Anisfield-Wolf Award for the best non-fiction book on race, and a finalist for the Pulitzer Prize; The Name of War (1998), winner of the Bancroft Prize, the Ralph Waldo Emerson Prize, and the Berkshire Prize and a finalist for the J. Anthony Lukas Award.
A co-founder of the magazine Common-place, Lepore’s essays and reviews have also appeared in the New York Times, the Times Literary Supplement, American Scholar, the Los Angeles Times, the Washington Post, The Daily Beast, the Journal of American History and American Quarterly. Her research has been funded by the National Endowment for the Humanities, the Pew Foundation, the Gilder Lehrman Institute, the Charles Warren Center, and the Woodrow Wilson Foundation. She has served as a consultant for the National Park Service and currently serves on the boards of the National Portrait Gallery and the Society of American Historians.
What is this book about?
A cultural history of Wonder Woman traces the character’s creation and enduring popularity, drawing on interviews and archival research to reveal the pivotal role of feminism in shaping her seven-decade story. Examines the life of Wonder Woman creator William Moulton Marston and his polyamorous relationship with wife Elizabeth Holloway and mistress Olive Byrne, both of whom inspired and influenced the comic book character’s creation and development.
