Published in 2008
184 pages
Professor Fiona Stafford is a Fellow of the British Academy and a Fellow of the Royal Society of Edinburgh. She works on literature of the Romantic period, especially Austen, Burns, Clare, Keats, Wordsworth and Coleridge, and on their literary influences on modern poetry. Her research interests also include late eighteenth and early nineteenth-century culture; Irish and Scottish literature (post 1700); Archipelagic literature and art; Place and Nature Writing (old and new); Trees, Flowers and their cultural history; Environmental Humanities; literature and the visual arts. Her books The Brief Life of Flowers (2018), and The Long, Long Life of Trees (2016) draws on first hand observation, literature, art, folklore, mythology, cultural history, natural science, botany, history of medicine.
What is this book about?
An elegant and accessible introduction to the life and works of one of England’s greatest and most popular novelists
“I want to salute Fiona Stafford’s brilliant [book]. . . . It tells one all one needs to know about Jane Austen, and, best of all, leaves one wanting to read the novels once more, and better.”—Jane Aiken Hodge
Every devoted reader feels that, in some way, they know Jane Austen. But how can we make sense of her extraordinary achievements? At a time when most women received so little formal education and none could obtain a place at university, how did Austen come to write novels that have commanded the attention of some of the most brilliant minds ever since? Why were hers the books that Darwin knew by heart and Churchill read during the Blitz?
In this graceful introduction to the author’s life and works, Fiona Stafford offers a fresh and accessible perspective, discussing Austen’s six astonishing novels in the context of their time. Newly updated, Jane Austen: A Brief Life offers a rich and sympathetic insight into a writer who was just as much the Romantic genius as Keats, Shelley or Byron—full of youthful exuberance, intensely creative once she had found her individual voice, and dead before she reached middle age.
